Events

2022

02/17-02/22

Self-World (2021-2022)

Work Development with Louise Devenish and Chris Cottrell

Monash University, Melbourne, Australia

_________

02/22

Contemplations (2015)

Tailors Ensemble

Tempo Rubato, Brunswick, Melbourne, Australia

_________

03/30-04/02

Gentle Dreaming (2020) - fixed media

SEAMUS National Conference

Western Michigan University, Kalamazoo, USA

_________

04/16

Quartet: Towards the Beginning (2010)

NAT 28

Pittsburgh Composers' Project

Kelly Strayhorn Theater, Pittsburgh, PA, USA

_________

04/18

Gentle Dreaming (2020) - fixed media

EM Four

Ball State University, Muncie, Indiana, USA

_________

04/23

Breathless for viola d'amore and multimedia (2022)

*world premiere

Marco Fusi

WQED Studio, Carnegie Mellon University

_________

04/29

Quietude (2014) - for two percussionists

Louise Devenish and Kaylie Melville

Canberra International Music Festival

Canberra, Australia

_________

05/26

Echoes of the Unspoken (2021) - concerto for percussion and string orchestra

*world premiere

Louise Devenish and the Monash Sinfonia

Monash University, Melbourne, Australia

_________

06/23

Crystalline - for mixed quartet (2013)

*world premiere

Thin Edge New Music Collective

Toronto, Canada

_________

07/01

Luminous - Fanfare for small orchestra (2022)

Workshop and recording session

Sydney Symphony Orchestra

Sydney, Australia

_________

08/27

3,6 (2019) - vers. for two trupets

2022 ISCM/ACL Festival and Conference

Video Performance by ELISION Ensemble

University of Auckland, New Zealand

_________

12/02-04

Breathless for viola d'amore and multimedia (2022)

SONIC MATTERS

Listening Lounge

Weichkissenheisseohren

Zurich, Switzerland

_________

2021

02/16

Song, for a place, lingering while dissipating (2018)

- for female voice, violin, and fixed media

Shepherdess Duo

Online pre-recorded concert

_________

03/23

Substrate Surfaces (2020) workshop and presentation

A collaboration with Louise Devenish and Chris Cottrell

Chamber Made Opera “Little Operations”

Collinwood Yards, Melbourne, Australia

6pm

_________

03/28

Song, for a place, lingering while dissipating (2018)

- for female voice, violin, and fixed media

Kamraton presents She Scores 2021

SLATE, Pittsburgh, and Streaming Online

7pm

_________

05/07

3,6 (2019) - for two trumpets

ELISION Ensemble

New Music Classics, Melbourne, Australia

_________

06/24

Gentle Dreaming (2020) - Fixed media

New York City Electronic Music Festival

_________

08/17

Invited composer talk

Coloquio de Composición V - Series 2021

Universidad EAFIT, Medellin, Colombia

Online, 3-5pm (EST)

_________

09/17

Composition masterclass

Monash University, Melbourne, Australia

Online, 11 am-1 pm

_________

09/17

Echoes of the Unspoken (2021) - for solo percussion and string orchestra

Louise Devenish and the Monash Sinfonia, Directed by Anna McMichael

Monash University, Melbourne, Australia

Online premiere, 7.30pm

___________

09/20

Invited Composer Talk

Arizona State University, Arizona, USA

Online, 5pm EST

___________

11/09

Invited Composer Talk

University of Lübeck, Lübeck, Germany

Online, 9am EST

___________

11/21

Exhalation- for KKL Luzern Concert Hall and five instruments

Members of the Lucerne Festival Contemporary Orchestra

Lucerne, Switzerland

5pm

___________

2020

November 13th

Amplified Traces (2020)

Quince Ensemble with Veronica Santiago Moniello

Online premiere

___________

October 24th

Radius (2017)

“Thoughts About the Piano”

Claudia Chen

Royaumont Abbey, France

___________

October 15th

TEE/Tee/T (2015)

Ossia New Music

Online live-stream

___________

September 19th

Radius (2017)

Performed by Mabel Kwan solo concert for Present Music

Online video concert release

___________

September 8th

Triumvir (2009)

Performed by Holly Workman

online live stream

___________

August 11th

Triumvir (2009)

Performed by Nathaniel Otley

Mini Music Fest #1 @ Dunedin Public Art Gallery

Dunedin, New Zealand

7-8pm

___________

July 21st

Song, for a place, lingering and dissipating (2018)

Performed by Shepherdess Duo

The Quarantine Concerts

Experimental Sound Studio, Chicago

Online live performance, 8-10pm (EDT)

___________

July 18-Aug 01 (Postponed to 2021)

Listening as Compositional Practice workshop

Darmstadt Summer Course 2020

___________

June 23rd

Virtual Artist Studio Visit

iLRN 2020 Virtual Conference

12PM PDT, online (Video can be viewed here)

___________

May 23-27 (Postponed to November 2020)

Residency and Performance of New Work for 3 female voices and dancer

Collaboration with Quince Ensemble and Veronica Santiago Moniello

05/27, KANEKO, Omaha, Nebraska

___________

May 7th (STILL HAPPENING! HURRAY!)

2,7 (2020) - for viola and double bass

Carnegie Mellon Contemporary Ensemble

Online Music Festival

3:30pm , Carnegie Mellon University School of Music Youtube Channel

___________

May 2nd (Postponed)

Cumulus (2020)

ELISION Ensemble

The Aesthetics of Disappearance, Melbourne Recital Center

7pm, Melbourne, Australia

___________

April 29 (Postponed)

Cumulus (2020) *World Premiere

ELISION Ensemble

2020 ISCM World Music Days and Asian Composers’ League Festival

Christchurch, Auckland

___________

April 21 (Postponed)

Quietude (2014) - for two percussionists

Rubiks Collective, Praxeology

6-7pm, Melbourne Recital Centre, Melbourne, Australia

___________

April 11(Postponed)

Elastic Chirping (2018) - for large ensemble

Carnegie Mellon Contemporary Ensemble (cond. Daniel Curtis)

Kresge Theater, CMU, Pittsburgh, USA

___________

March 21 (Postponed)

She Scores 2020: Women+Experimental

Live improv set in collaboration with Heidi Wiren Bartlett

Presented by Kamraton

Pittsburgh, USA

___________

March 20 (Postponed)

Crystalline (2013-2014)

*World Premiere by Thin Edge New Music Collective

Premieres XI, Array Place, Toronto, Canada