Past

2019

January 13th

Quietude (2014) - for 2 percussionists and glass objects

Alia Musica at Heinz Chapel, Pittsburgh, USA

____________

January 18th

Limerence (2012) - for flute and guitar

Jay Sorce and Roberta Michel

Turtle Bay Music School (330 East 38th St.), New York, US

___________

January 25th

Song, for a place, lingering and dissipating (2018)- for voice, violin and electronic elements

Shepherdess Duo

Third Street Music Settlement (235 East 11th St), New York, USA

___________

March 1st

Limerence (2012) - for flute and guitar

Jay Sorce and Roberta Michel

All Saints Episcopal Church, Long Island City, NY

___________

March 21st

Quietude (2014) - for 2 percussionists and glass objects

Alia Musica at Slippery Rock University, PA

____________

May 4th

Tightrope (2013) - for soprano and mixed sextet

Generations featuring Justine Anderson (soprano)

2019 Metropolis Music Festival

Primrose Potter Salon, Melbourne Recital Center

Melbourne, Australia

____________

May 31st

Creased Impressions on an Imagined Surface of Becoming (2019) - for large ensemble

World Premiere

ELISION Ensemble

Recital Hall, National Theater and Concert Hall, Taipei, Taiwan

____________

June 9th

Song, for a place, lingering and dissipating (2018)- for voice, violin and electronic elements

Shepherdess Duo

Areté venue and gallery, Brooklyn, New York

____________

June 19-22

Paper presentation “ Augmentations in the Palace of Culture: Animate Soundscapes at the Carnegie Library of Pittsburgh"

A collaboration with visual artist Johannes DeYoung

IEEE Game Entertainment and Media Conference

Yale University. Connecticut, USA

____________

June 22-27

Permeating Through the Pores of Shifting Planes (2019)

- An Installation-Performance Work for Louise Devenish

Residency and development at Perth Institue of Contemporary Arts (PICA)

Perth, Australia

June 28, 29

Permeating Through the Pores of Shifting Planes (2019)

- An Installation-Performance Work for Louise Devenish

World Premiere, presented by TURA New Music

Perth Institute of Contemporary Arts (PICA)

Perth, Australia

____________

July 3rd

The Thin Air Between Skins (2015)

Rukis Ensemble presents Hush

6pm, Melbourne Recital Center

Melbourne, Australia

____________

July 17

Paper and presentation of Pixercise (2017 - )

Gender diversity in Music and Art Conference

University of Western Australia Conservatorium of Music

Perth, Australia

____________

September 7th

Chamber of Glistening Whispers (2018)

Mari Kawamura Solo recital

4pm, Waverley Lab, New York University, New York, USA

____________

Sept 20 - Nov 3

Project Amelia: Take Control

Where: Pittsburgh’ South Side. Exact location will be disclosed in advance of your ticketed performance date.

Bricolage Production Company

Pittsburgh, USA

____________

October 12th

The Thin Air Between Skins (2015) - for flute and cello

Immaterial and Intangible

newEAR Contemporary Chamber Ensemble

Diastole Scholar’s Center, University of Missouri-Kansas City.

8pm

____________

October 30th

Radius (2017) - for solo pianist

Claudia Chen Recording Concert

Royaumont Abbey

7:30-8:30pm

94270 Asnières-sur-Oise, France

____________

November 2nd

Chamber of Glistening Whispers (2018)

Mari Kawamura Solo recital

7.30pm Kresge Theater, College of Fine Arts, Carnegie Mellon University

Pittsburgh, USA

Co-presented with Alia Musica Pittsburgh

____________

November 11-25

Melbourne Prize Finalist Exhibition

Federation Square, Melbourne, Australia

____________

November 22-24

New Work developmental residency with Quince Ensemble and Veronica Santiago Moniello

Omaha, Nebraska, USA

____________

December 4th

Paper and presentation of Pixercise (2017 - )

Collaboration is More Refreshing than New Socks Conference - Innovative collaborations and new performance formats

Royal Conservatoire Antwerp. Antwerp, Belgium

____________

December 8th

The Thin Air Between the Skins (2015)

Anna Svensdotter and My Hellgren

3:e Våningen, Gothenburg, Sweden

6-8pm

__________

2018

March 16-18

Pixercise

a collaboration with Kathryn Williams

Paper and work-in progress presentation

Eavesdropping Symposium

Oxford House, London, UK

____________

March 29-31

The Warmth of the Nebula (2016) - for solo piccolo and 8-channel fixed media

SEAMUS Conference 2018

The University of Oregon

Eugene, USA

____________

April 6th

Radius (2017) - for solo pianist

Kyle Adam Blaire DMA Recital

Conrad Prebys Music Center Concert Hall, UCSD

7.30pm

San Diego, USA

____________

April 8th

Song, for a place, lingering and dissipating (2018) - for voice and violin

*World premiere

for Kayleigh Butcher and Hajnal Pivnick

Midtown Opera Festival

Playhouse, Square Cafe

Memphis, TN, USA

5PM

____________

April 22nd

Dwindling as the beginning of more vibrant things (2016) - for string quartet

Performed by JACK quartet

NUNC!3 @ Bienen School of Music

Northwestern University, Evanston, Chicago, USA

5pm

____________

April 22nd

The Thin Air Between the Skins (2015) - for cello and flute

*Australian Premiere

ELISION Ensemble @ The University of Melbourne

Malba Hall, Melbourne Conservatorium of Music, 3pm

Melbourne, Australia

____________

May 3rd

Quietude (2014) - for 2 percussionists and glass objects

Jess Tsang MM Graduation Recital

Tana Schulich Hall, McGill University

Montreal, Canada

____________

June 24th

Radius (2017) - for solo pianist

*Australian Premiere

Blue Touch at Beamont House

Pianist: Gabriella Smart

5-7 PM, Beaumont House, 631 Glyburn Rd., Beaumont

Adelaide, Australia

____________

July 6th

Radius (2017) - for solo pianist

Pianist: Gabriella Smart

The Gender Diversity in Music Making Conference

Sir Zelman Cowen School of Music, Monash University

Melbourne, Australia

11am

____________

July 15th

Tee/TEE/T (2015) - for mixed quartet

Performed by Ensemble Suono Gaillo featuring Giacomo Piermatti (c.bass)

International Ilsuono Contemporary Music

Citta di Castello, Italy

____________

July 21st

Elastic Chirping (2018) for Large Ensemble

*World Premiere

Commissioned by Foundation Royaumont for the Ulysses Ensemble 2018

Royaumont Abbey, Asnières-sur-Oise, France

____________

September 7th

Into the Outer (2014) - for 13 strings

Performed by the Adelaide Symphony Orchestra (Cond. Eric Dudley)

Tranquil Abiding, Bendigo International Festival of Explorative Music

7.30pm, Ulumbarra Theatre


Dwindling as the beginning of more vibrant things (2016) - for string quartet

Performed by the Argonaut Quartet

Judith HAMANN, Cello

Graeme JENNINGS, Violin l Viola

Erkki VELTHEIM, Violin l Viola

Elizabeth WELSH, Violin l Viola

Concrete Porcupine, Bendigo International Festival of Explorative Music

9pm, Capitol Theatre

___________

September 15th

Quietude - for 2 percussionists and glass objects

Pittsburgh Festival of New music

Pay as you exit

Pittsburgh Opera, 3.30pm-6pm

____________

October 13th

Song, for a place, lingering and dissipating (2018) - for voice and violin

for Kayleigh Butcher and Hajnal Pivnick

Home Audio @ Bedstuy, Brooklyn, NY

8pm

____________

October 16th

Chamber of Glistening Whispers (2018) - duet for piano and pianist, with electronics

Written for Mari Kawamura

*World Premiere

New Virtuosity: Emerging Artist Series with pianist Mari Kawamura

Monk Space, Los Angeles

8pm

____________

October 28th

Chamber of Glistening Whispers (2018) - duet for piano and pianist, with electronics

Written for Mari Kawamura

Mari Kawamura plays Bordeau, Vine, Hsieh and Couperin

Center for New Music, San Francisco

8pm

____________

Nov 2nd

Recording Session With Shepherdess Duo

Oktaven Audio, Mt Venon, NY

Supported by New Music USA

____________

Nov 2nd

Chamber of Glistening Whispers (2018) - duet for piano and pianist, with electronics

Written for Mari Kawamura

Mari Kawamura solo recital

Experimental Theater, UCSD, Conrad Prebys Music center

7pm

____________

Nov 19th

Pixercise (2018 - )

HCMF Shorts

Huddersfield Contemporary Music Festival

12:40pm, University Sports Hall, University of Huddersfield

Huddersfield, UK

____________

Nov 24th

Pixercise (2018 - )

Being Human Festival

Carol Nash Recital Hall, Royal Northern College of Music

Manchester, UK

2PM

____________

2017

Feb 9-12th

Sound installation - Drawing Room

Slow SD - Festival of slow music

Room 243, Conrad Prebys Music Center, UCSD

San Diego

____________

Feb 25th

The Warmth of the Nebula (2016) - for solo piccolo and 8-channel fixed media

Eureka! Musical Minds of California Conference

Cal State Fullerton, Los Angeles

____________

April 14th

Quietude (2014) - for two percussionists

Perform by Fiona Digney and Ben Rempel

XX the concert

UCSD Springfest

Conrad Prebys Music Center Experimental Theater

San Diego

____________

April 20-22

The Implicit Self

A collaboration with choreographer Veronica Santiago

Studio 3, Wagner Dance Building, UCSD

San Diego

____________

May 17th

Six Legs and an Amphibious State of Mind - for percussion sextet and electronics (2017)

For Red Fish Blue Fish

*World Premiere

Conrad Prebys Music Center Experimental Theater, UCSD

San Diego

____________

September 8th

Tightrope (a funny Trauma) (2013, rev. 2017) - for soprano and ensemble

Performed by the Voix Nouvelle Academy Ensemble

Royaumont Abbey, Asnières-sur-Oise, France

____________

September 9th

Radius (2017) - for solo pianist

Perform by Claudia Chan

*World Premiere

Royaumont Abbey, Asnières-sur-Oise, France

____________

September 23rd

Half-Open Beings (2017) for mixed Septet

For Ensemble Offspring

‘Who dreamed it’

*World Premiere

2pm Carriageworks, Sydney. Australia

____________

December 1st

The Thin Air between Skins (2015) - for flute and cello

Performed by Jennifer Bewerse and Rachel Beets

WestLAnd presents Autoduplicity

ArtsShare LA, 8pm

Los Angeles, USA

____________

December 3rd

Annie Hui-Hsin Hsieh: Dissertation Recital

Works to be performed:

The Warmth of the Nebula (2016) - for solo piccolo and 8-channel diffusion

Half-Open Beings (2017 rev.) - for mixed septet

Radius (2017) - for solo pianist

To be performed by: Michael Matsuno, Kyle Adam Blair, Ben Rempel, Kyle Motl, Madison Greenstone, Judith Hamann and Kathryn Schulmeister.

Experimental Theater, UCSD Conrad Prebys Music Center

San Diego, USA

5pm, free

____________

2016

February 12th

TEE/Tee/T - for saxophone, violin, piano and marimba (2015)

commissioned by Thin Edge Ensemble

Premieres V

8pm, Array Space (155 Walnut Ave),

Toronto, Canada

____________

March 4th

In Talentum of Light (2016) - for symphony orchestra

*Premiere

Commissioned by Symphony Services Australia for the Adelaide Symphony Orchestra

Tectonics Festival

____________

March 29th

Into the outer (2014) - for 13 strings

ISCM World Music Days in Tongyeong, South Korea

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Syzygy Ensemble: The ‘Making Signs’ tour:

Quartet: towards the beginning (2009) - for clarinet, violin, cello and piano

Adelaide, 5th of June-

Pilgrim Uniting Church, Adelaide, SA. Australia

for more info and tix go here

Sydney, 19th of June-

Glebe Justice Centre, Sydney, NSW, Australia

for more info and tix go here

____________

July 16th

Into the outer (2014) - for 13 strings

Arcko Symphonic Ensemble

Church of All Saints, Carlton, Melbourne Australia

____________

August 11th

Contemplations (2015) - for flute, clarinet, violin, cello and piano

Syzygy Ensemble ’Our Space

Melbourne Recital Center, Salon

6pm

____________

October 10-14th

Dwindling is the beginning of more vibrant things (2016) for string quartet

Mivos Quartet residency at UCSD

____________

November 18th

The Warmth of the Nebula - for solo piccolo and 8-channel fixed media

For Michael Matsuno

*World Premiere

DMA Recital, UCSD

CPMC Concert hall, 7pm