Past
2023
03/23
Breathless (2022) - for viola d'amore and electronics
2023 SEAMUS National Conference, Rhizomic Event
Louisiana State University
_________
05/06
Effervescence (2023) - for mixed ensemble and live electronics
Commissioned by Hypercube Ensemble
Queens New Music Festival
_________
05/21-29
Self-World (2021-2023) - installation-performance work for sextet and live electronics
Collaboration with Louise Devenish, Keith Tucker, The Sound Collectors Lab, and Rubiks Collective
Melbourne, Australia
06/02
Private Showing
Temperance Hall, Melbourne, Australia
_________
06/05
"Navigating Indeterminacy in experimental Practice" Panel Discussion and Workshop
part of "Encounters: Artistic and Scientific Approaches to Investigating the world around us"
Monash University, Melbourne, Australia
_________
08/17
Icy Disintegration (2009) - For orchestra
Canberra Symphony Orchestra, Winter Dreams
Llewellyn Hall, Australian National University School of Music, 7:30PM
Canberra, Australia
Cond. Alexander Briger AO
_________
09/08-10
Gentle Dreaming (2020)
Pasages|Composés 3rd edition - Ècologie sonore Musiques de Recherche
APNÉES (Association for Performance, Electroacousics and Sound Experiments)
Grenoble, France
_________
12/04
Contemplations (2015)
Tactus Ensemble
Manhattan School of Music, New York, USA
_________
12/06
Quietude (2014)
Displaced Bodies
Occicle Duo with Rubiks Collective
Melbourne Recital Centre, Melbourne, Australia
_________
12/07
Film Premiere: Spang's First Century
A collaboration with Pittsburgh Sound and Image
Harris Theater, Pittsburgh, USA
_________
2022
02/17-02/22
Self-World (2021-2022)
Work Development with Louise Devenish and Chris Cottrell
Monash University, Melbourne, Australia
_________
02/22
Contemplations (2015)
Tailors Ensemble
Tempo Rubato, Brunswick, Melbourne, Australia
_________
03/30-04/02
Gentle Dreaming (2020) - fixed media
SEAMUS National Conference
Western Michigan University, Kalamazoo, USA
_________
04/16
Quartet: Towards the Beginning (2010)
NAT 28
Pittsburgh Composers' Project
Kelly Strayhorn Theater, Pittsburgh, PA, USA
_________
04/18
Gentle Dreaming (2020) - fixed media
EM Four
Ball State University, Muncie, Indiana, USA
_________
04/23
Breathless for viola d'amore and multimedia (2022)
*world premiere
Marco Fusi
WQED Studio, Carnegie Mellon University
_________
04/29
Quietude (2014) - for two percussionists
Louise Devenish and Kaylie Melville
Canberra International Music Festival
Canberra, Australia
_________
05/26
Echoes of the Unspoken (2021) - concerto for percussion and string orchestra
*world premiere
Louise Devenish and the Monash Sinfonia
Monash University, Melbourne, Australia
_________
06/23
Crystalline - for mixed quartet (2013)
*world premiere
Thin Edge New Music Collective
Toronto, Canada
_________
07/01
Luminous - Fanfare for small orchestra (2022)
Workshop and recording session
Sydney Symphony Orchestra
Sydney, Australia
_________
08/27
3,6 (2019) - vers. for two trupets
2022 ISCM/ACL Festival and Conference
Video Performance by ELISION Ensemble
University of Auckland, New Zealand
_________
12/02-04
Breathless for viola d'amore and multimedia (2022)
SONIC MATTERS
Listening Lounge
Weichkissenheisseohren
Zurich, Switzerland
_________
2021
02/16
Song, for a place, lingering while dissipating (2018)
- for female voice, violin, and fixed media
Shepherdess Duo
Online pre-recorded concert
_________
03/23
Substrate Surfaces (2020) workshop and presentation
A collaboration with Louise Devenish and Chris Cottrell
Chamber Made Opera “Little Operations”
Collinwood Yards, Melbourne, Australia
6pm
_________
03/28
Song, for a place, lingering while dissipating (2018)
- for female voice, violin, and fixed media
Kamraton presents She Scores 2021
SLATE, Pittsburgh, and Streaming Online
7pm
_________
05/07
3,6 (2019) - for two trumpets
ELISION Ensemble
New Music Classics, Melbourne, Australia
_________
06/24
Gentle Dreaming (2020) - Fixed media
New York City Electronic Music Festival
_________
08/17
Invited composer talk
Coloquio de Composición V - Series 2021
Universidad EAFIT, Medellin, Colombia
Online, 3-5pm (EST)
_________
09/17
Composition masterclass
Monash University, Melbourne, Australia
Online, 11 am-1 pm
_________
09/17
Echoes of the Unspoken (2021) - for solo percussion and string orchestra
Louise Devenish and the Monash Sinfonia, Directed by Anna McMichael
Monash University, Melbourne, Australia
Online premiere, 7.30pm
09/20
Invited Composer Talk
Arizona State University, Arizona, USA
Online, 5pm EST
11/09
Invited Composer Talk
University of Lübeck, Lübeck, Germany
Online, 9am EST
11/21
Exhalation- for KKL Luzern Concert Hall and five instruments
Members of the Lucerne Festival Contemporary Orchestra
Lucerne, Switzerland
5pm
2020
November 13th
Amplified Traces (2020)
Quince Ensemble with Veronica Santiago Moniello
Online premiere
October 24th
Radius (2017)
Royaumont Abbey, France
October 15th
TEE/Tee/T (2015)
Online live-stream
September 19th
Radius (2017)
Performed by Mabel Kwan solo concert for Present Music
Online video concert release
September 8th
Triumvir (2009)
Performed by Holly Workman
online live stream
August 11th
Triumvir (2009)
Performed by Nathaniel Otley
Mini Music Fest #1 @ Dunedin Public Art Gallery
Dunedin, New Zealand
7-8pm
July 21st
Song, for a place, lingering and dissipating (2018)
Performed by Shepherdess Duo
Experimental Sound Studio, Chicago
Online live performance, 8-10pm (EDT)
___________
July 18-Aug 01 (Postponed to 2021)
Listening as Compositional Practice workshop
Darmstadt Summer Course 2020
___________
June 23rd
Virtual Artist Studio Visit
12PM PDT, online (Video can be viewed here)
___________
May 23-27 (Postponed to November 2020)
Residency and Performance of New Work for 3 female voices and dancer
Collaboration with Quince Ensemble and Veronica Santiago Moniello
05/27, KANEKO, Omaha, Nebraska
___________
May 7th (STILL HAPPENING! HURRAY!)
2,7 (2020) - for viola and double bass
Carnegie Mellon Contemporary Ensemble
Online Music Festival
3:30pm , Carnegie Mellon University School of Music Youtube Channel
___________
May 2nd (Postponed)
Cumulus (2020)
ELISION Ensemble
The Aesthetics of Disappearance, Melbourne Recital Center
7pm, Melbourne, Australia
___________
April 29 (Postponed)
Cumulus (2020) *World Premiere
ELISION Ensemble
2020 ISCM World Music Days and Asian Composers’ League Festival
Christchurch, Auckland
___________
April 21 (Postponed)
Quietude (2014) - for two percussionists
6-7pm, Melbourne Recital Centre, Melbourne, Australia
___________
April 11(Postponed)
Elastic Chirping (2018) - for large ensemble
Carnegie Mellon Contemporary Ensemble (cond. Daniel Curtis)
Kresge Theater, CMU, Pittsburgh, USA
___________
March 21 (Postponed)
She Scores 2020: Women+Experimental
Live improv set in collaboration with Heidi Wiren Bartlett
Presented by Kamraton
Pittsburgh, USA
___________
March 20 (Postponed)
Crystalline (2013-2014)
*World Premiere by Thin Edge New Music Collective
Premieres XI, Array Place, Toronto, Canada
2019
January 13th
Quietude (2014) - for 2 percussionists and glass objects
Alia Musica at Heinz Chapel, Pittsburgh, USA
____________
January 18th
Limerence (2012) - for flute and guitar
Jay Sorce and Roberta Michel
Turtle Bay Music School (330 East 38th St.), New York, US
___________
January 25th
Song, for a place, lingering and dissipating (2018)- for voice, violin and electronic elements
Third Street Music Settlement (235 East 11th St), New York, USA
___________
March 1st
Limerence (2012) - for flute and guitar
All Saints Episcopal Church, Long Island City, NY
___________
March 21st
Quietude (2014) - for 2 percussionists and glass objects
Alia Musica at Slippery Rock University, PA
____________
May 4th
Tightrope (2013) - for soprano and mixed sextet
Generations featuring Justine Anderson (soprano)
2019 Metropolis Music Festival
Primrose Potter Salon, Melbourne Recital Center
Melbourne, Australia
____________
May 31st
Creased Impressions on an Imagined Surface of Becoming (2019) - for large ensemble
World Premiere
Recital Hall, National Theater and Concert Hall, Taipei, Taiwan
____________
June 9th
Song, for a place, lingering and dissipating (2018)- for voice, violin and electronic elements
Areté venue and gallery, Brooklyn, New York
____________
June 19-22
Paper presentation “ Augmentations in the Palace of Culture: Animate Soundscapes at the Carnegie Library of Pittsburgh"
A collaboration with visual artist Johannes DeYoung
IEEE Game Entertainment and Media Conference
Yale University. Connecticut, USA
____________
June 22-27
Permeating Through the Pores of Shifting Planes (2019)
- An Installation-Performance Work for Louise Devenish
Residency and development at Perth Institue of Contemporary Arts (PICA)
Perth, Australia
June 28, 29
Permeating Through the Pores of Shifting Planes (2019)
- An Installation-Performance Work for Louise Devenish
World Premiere, presented by TURA New Music
Perth Institute of Contemporary Arts (PICA)
Perth, Australia
____________
July 3rd
The Thin Air Between Skins (2015)
Rukis Ensemble presents Hush
6pm, Melbourne Recital Center
Melbourne, Australia
____________
July 17
Paper and presentation of Pixercise (2017 - )
Gender diversity in Music and Art Conference
University of Western Australia Conservatorium of Music
Perth, Australia
____________
September 7th
Chamber of Glistening Whispers (2018)
4pm, Waverley Lab, New York University, New York, USA
____________
Sept 20 - Nov 3
Where: Pittsburgh’ South Side. Exact location will be disclosed in advance of your ticketed performance date.
Bricolage Production Company
Pittsburgh, USA
____________
October 12th
The Thin Air Between Skins (2015) - for flute and cello
newEAR Contemporary Chamber Ensemble
Diastole Scholar’s Center, University of Missouri-Kansas City.
8pm
____________
October 30th
Radius (2017) - for solo pianist
Claudia Chen Recording Concert
7:30-8:30pm
94270 Asnières-sur-Oise, France
____________
November 2nd
Chamber of Glistening Whispers (2018)
Mari Kawamura Solo recital
7.30pm Kresge Theater, College of Fine Arts, Carnegie Mellon University
Pittsburgh, USA
Co-presented with Alia Musica Pittsburgh
____________
November 11-25
Melbourne Prize Finalist Exhibition
Federation Square, Melbourne, Australia
____________
November 22-24
New Work developmental residency with Quince Ensemble and Veronica Santiago Moniello
Omaha, Nebraska, USA
____________
December 4th
Paper and presentation of Pixercise (2017 - )
Royal Conservatoire Antwerp. Antwerp, Belgium
____________
December 8th
The Thin Air Between the Skins (2015)
Anna Svensdotter and My Hellgren
3:e Våningen, Gothenburg, Sweden
6-8pm
__________
2018
March 16-18
Pixercise
a collaboration with Kathryn Williams
Paper and work-in progress presentation
Oxford House, London, UK
____________
March 29-31
The Warmth of the Nebula (2016) - for solo piccolo and 8-channel fixed media
The University of Oregon
Eugene, USA
____________
April 6th
Radius (2017) - for solo pianist
Conrad Prebys Music Center Concert Hall, UCSD
7.30pm
San Diego, USA
____________
April 8th
Song, for a place, lingering and dissipating (2018) - for voice and violin
*World premiere
for Kayleigh Butcher and Hajnal Pivnick
Memphis, TN, USA
5PM
____________
April 22nd
Dwindling as the beginning of more vibrant things (2016) - for string quartet
Performed by JACK quartet
NUNC!3 @ Bienen School of Music
Northwestern University, Evanston, Chicago, USA
5pm
____________
April 22nd
The Thin Air Between the Skins (2015) - for cello and flute
*Australian Premiere
ELISION Ensemble @ The University of Melbourne
Malba Hall, Melbourne Conservatorium of Music, 3pm
Melbourne, Australia
____________
May 3rd
Quietude (2014) - for 2 percussionists and glass objects
Jess Tsang MM Graduation Recital
Tana Schulich Hall, McGill University
Montreal, Canada
____________
June 24th
Radius (2017) - for solo pianist
*Australian Premiere
Pianist: Gabriella Smart
5-7 PM, Beaumont House, 631 Glyburn Rd., Beaumont
Adelaide, Australia
____________
July 6th
Radius (2017) - for solo pianist
Pianist: Gabriella Smart
The Gender Diversity in Music Making Conference
Sir Zelman Cowen School of Music, Monash University
Melbourne, Australia
11am
____________
July 15th
Tee/TEE/T (2015) - for mixed quartet
Performed by Ensemble Suono Gaillo featuring Giacomo Piermatti (c.bass)
International Ilsuono Contemporary Music
Citta di Castello, Italy
____________
July 21st
Elastic Chirping (2018) for Large Ensemble
*World Premiere
Commissioned by Foundation Royaumont for the Ulysses Ensemble 2018
Royaumont Abbey, Asnières-sur-Oise, France
____________
September 7th
Into the Outer (2014) - for 13 strings
Performed by the Adelaide Symphony Orchestra (Cond. Eric Dudley)
Tranquil Abiding, Bendigo International Festival of Explorative Music
7.30pm, Ulumbarra Theatre
Dwindling as the beginning of more vibrant things (2016) - for string quartet
Performed by the Argonaut Quartet
Judith HAMANN, Cello
Graeme JENNINGS, Violin l Viola
Erkki VELTHEIM, Violin l Viola
Elizabeth WELSH, Violin l Viola
Concrete Porcupine, Bendigo International Festival of Explorative Music
9pm, Capitol Theatre
___________
September 15th
Quietude - for 2 percussionists and glass objects
Pittsburgh Festival of New music
Pay as you exit
Pittsburgh Opera, 3.30pm-6pm
____________
October 13th
Song, for a place, lingering and dissipating (2018) - for voice and violin
for Kayleigh Butcher and Hajnal Pivnick
Home Audio @ Bedstuy, Brooklyn, NY
8pm
____________
October 16th
Chamber of Glistening Whispers (2018) - duet for piano and pianist, with electronics
Written for Mari Kawamura
*World Premiere
New Virtuosity: Emerging Artist Series with pianist Mari Kawamura
Monk Space, Los Angeles
8pm
____________
October 28th
Chamber of Glistening Whispers (2018) - duet for piano and pianist, with electronics
Written for Mari Kawamura
Mari Kawamura plays Bordeau, Vine, Hsieh and Couperin
Center for New Music, San Francisco
8pm
____________
Nov 2nd
Recording Session With Shepherdess Duo
Oktaven Audio, Mt Venon, NY
Supported by New Music USA
____________
Nov 2nd
Chamber of Glistening Whispers (2018) - duet for piano and pianist, with electronics
Written for Mari Kawamura
Mari Kawamura solo recital
Experimental Theater, UCSD, Conrad Prebys Music center
7pm
____________
Nov 19th
Pixercise (2018 - )
Huddersfield Contemporary Music Festival
12:40pm, University Sports Hall, University of Huddersfield
Huddersfield, UK
____________
Nov 24th
Pixercise (2018 - )
Carol Nash Recital Hall, Royal Northern College of Music
Manchester, UK
2PM
____________
2017
Feb 9-12th
Sound installation - Drawing Room
Slow SD - Festival of slow music
Room 243, Conrad Prebys Music Center, UCSD
San Diego
____________
Feb 25th
The Warmth of the Nebula (2016) - for solo piccolo and 8-channel fixed media
Eureka! Musical Minds of California Conference
Cal State Fullerton, Los Angeles
____________
April 14th
Quietude (2014) - for two percussionists
Perform by Fiona Digney and Ben Rempel
XX the concert
UCSD Springfest
Conrad Prebys Music Center Experimental Theater
San Diego
____________
April 20-22
A collaboration with choreographer Veronica Santiago
Studio 3, Wagner Dance Building, UCSD
San Diego
____________
May 17th
Six Legs and an Amphibious State of Mind - for percussion sextet and electronics (2017)
*World Premiere
Conrad Prebys Music Center Experimental Theater, UCSD
San Diego
____________
September 8th
Tightrope (a funny Trauma) (2013, rev. 2017) - for soprano and ensemble
Performed by the Voix Nouvelle Academy Ensemble
Royaumont Abbey, Asnières-sur-Oise, France
____________
September 9th
Radius (2017) - for solo pianist
Perform by Claudia Chan
*World Premiere
Royaumont Abbey, Asnières-sur-Oise, France
____________
September 23rd
Half-Open Beings (2017) for mixed Septet
*World Premiere
2pm Carriageworks, Sydney. Australia
____________
December 1st
The Thin Air between Skins (2015) - for flute and cello
Performed by Jennifer Bewerse and Rachel Beets
WestLAnd presents Autoduplicity
ArtsShare LA, 8pm
Los Angeles, USA
____________
December 3rd
Annie Hui-Hsin Hsieh: Dissertation Recital
Works to be performed:
The Warmth of the Nebula (2016) - for solo piccolo and 8-channel diffusion
Half-Open Beings (2017 rev.) - for mixed septet
Radius (2017) - for solo pianist
To be performed by: Michael Matsuno, Kyle Adam Blair, Ben Rempel, Kyle Motl, Madison Greenstone, Judith Hamann and Kathryn Schulmeister.
Experimental Theater, UCSD Conrad Prebys Music Center
San Diego, USA
5pm, free
____________
2016
February 12th
TEE/Tee/T - for saxophone, violin, piano and marimba (2015)
commissioned by Thin Edge Ensemble
8pm, Array Space (155 Walnut Ave),
Toronto, Canada
____________
March 4th
In Talentum of Light (2016) - for symphony orchestra
*Premiere
Commissioned by Symphony Services Australia for the Adelaide Symphony Orchestra
____________
March 29th
Into the outer (2014) - for 13 strings
ISCM World Music Days in Tongyeong, South Korea
____________
Syzygy Ensemble: The ‘Making Signs’ tour:
Quartet: towards the beginning (2009) - for clarinet, violin, cello and piano
Adelaide, 5th of June-
Pilgrim Uniting Church, Adelaide, SA. Australia
for more info and tix go here
Sydney, 19th of June-
Glebe Justice Centre, Sydney, NSW, Australia
for more info and tix go here
____________
July 16th
Into the outer (2014) - for 13 strings
Arcko Symphonic Ensemble
Church of All Saints, Carlton, Melbourne Australia
____________
August 11th
Contemplations (2015) - for flute, clarinet, violin, cello and piano
Syzygy Ensemble ’Our Space’
Melbourne Recital Center, Salon
6pm
____________
October 10-14th
Dwindling is the beginning of more vibrant things (2016) for string quartet
Mivos Quartet residency at UCSD
____________
November 18th
The Warmth of the Nebula - for solo piccolo and 8-channel fixed media
For Michael Matsuno
*World Premiere
DMA Recital, UCSD
CPMC Concert hall, 7pm