A new interdisciplinary work with Heidi Wiren Kebe and Veronica Santiago Moniello. Supported by the Tomayko Foundation and the Frank-Ratchye STUDIO for Creative Inquiry, to be premiered in May 2025
A new album of electroacoustic music coming in Fall 2025. Supported by the Fund for Research and Creativity from the Carnegie Mellon University College of Fine Arts
A new work for viola d'amore and live electronics that will be realized on the Meyer Sound Constellation System housed in the David Li Sound Gallery at Monash Performance Arts Centre. Coming soon in August 2025, featuring Australian violist Phoebe Green.
"Musica Subtilior" is a project that aims to use generative AI to help unpack the complex process of interpreting graphical musical scores. The individuality of each interpretation of any given graphic score highly differs from performer to performer, and this opened doors to inquiries into the creative process itself, in particular, how improvisation and indeterminacy could lead to a wealth of new musical possibilities beyond the traditional, fixed, prescriptive type of Western music notation.
Current AI Models in music are primarily trained on Western classical music, making them highly adaptable to interpret non-traditional graphical scores. For "Musica Subtilior," the models will be trained on different performances and interpretations of a given set of graphic scores to pave the way for identifying patterns in which attributes of graphic scores — shape, color and spatial formatting — are musically interpreted. This information would provide a valuable understanding of emotive and other innate responses in human musical creativity and serve as a case study looking at the biases of models towards Western notation.
In collaboration with Chris Donahue, Dannenberg Assistant Professor, Carnegie Mellon University. Project supported by CMU's AIxArts Incubator Fund.